Lynn Swanson is hailed by many as one of the most versatile of all musicians. She is a sought after conductor, choral pedagogue, clinician and adjudicator. She attended Shorter College as a recipient of the Theodor Presser Foundation Scholarship and holds a Bachelor of Music in Organ Performance in addition to a Master of Music Education in Choral Pedagogy from the University of Kansas in Lawrence.
Lynn Swanson began her new position as Executive Artistic Director of the Cream City Youth Chorale in March, 2020. Previously, she served as Executive Artistic Director of the Milwaukee Children’s Choir. Prior to her move to Milwaukee, Wisconsin, she held the position Assistant Director of the Zhuhai Classical Children’s Choir in Zhuhai, China, a choral program of the Webb-Mitchell Centre for Choral Studies and the British Schools Foundation and as Executive Associate Music Director of the William Baker Choral Foundation. While a member of the staff of The Choral Foundation, Ms. Swanson created the Institute for Healthy Singing leading workshops for church choirs and community choruses. Ms. Swanson is the Founder of the Lynn Swanson Festival Singers formerly known as the Gwinnett Festival Singers founded in Atlanta in 1985, the Northside Young Singers and the Cobb Summer Singers now named the Summer Baroque Institute. From 2011 to 2017, she served as Organist and Music Director of St. Benedict’s Episcopal Church in Atlanta, Georgia.
While in China, Ms. Swanson conducted research on the changing voice of the adolescent female with members of the Zhuhai Classical Children’s Choir under the guidance of the University of Kansas, Dr. Melissa Grady and in collaboration with simultaneous research with members of the Allegro Choirs of Kansas City, Jamea Sale, Researcher.
She is host and author of DevelopingVoices.blog posting relevant information on the science behind the voice and managing articles submitted by other qualified educators in this important field. Her posts can be found on Amercian Choral Director’s Association’s weekly newsletter ChoralNet.org.
As a conductor she has led performances in Atlanta and Kansas City of choral and orchestral masterworks that include: Bach: Mass in B Minor, Brandenburg Concerto No. 2 in F, Magnificat, Cantata No. 51 Jauchzet Gott in allen Landen, Cantata 104 Wachet auf ruft uns die Stimme, Cantata 4 Christ lag in Todesbanden; Beethoven: Mass in C; Bernstein: Chichester Psalms & Missa Brevis; Brahms: A German Requiem; Faure: Requiem; Handel: Messiah, Dettingen Te Deum, Water Music Suite, and Israel in Egypt; Haydn: The Creation, Te Deum; Mendelssohn: Elijah; Mozart: Solemn Vespers, Exsultate Jubilate, Eine kleine Nachtmusik and Coronation Mass; Schubert: Mass in G; Vivaldi: Beatus Vir, Gloria.
Her choral ensembles have served as headline performers at the Tenth Annual Chamber Series at Central Conservatory, Beijing, China, the International Chorus Festival also held in Beijing, the internationally renowned Piccolo Spoleto Festival in Charleston, South Carolina, Christmas Atlanta Festival, The Arts International Festival, among many others.
She is a member of the International Voice Care Network of St. John’s University, Mu Phi Epsilon National Music Fraternity, Pro-Mozart Society of Atlanta, Anglican Association of Musicians, American Guild of Organists and the American Choral Directors Association.
Please continue to follow her work at Cream City Youth Chorale.org